Ismar Badžić - Shooting Assistant Producer

MAKE SOMETHING FRIDAY #001

Other

I was on the phone to Annie – she said she was making corona virus related art with Shivani from afar. I started thinking. Nicked the idea basically. I scribbled a few lines of text on my phone. No brief or theme just – hey, make something on Friday. Sent it to a few of my friends and asked Annie to send to a few of hers. Aaaand here we are. I wrote this blurb before receiving all the pieces. I’ll keep it brief as there is far more & far better to consume below – but I am compelled…Keep reading >>

Britain’s Bus Crisis – on iPlayer Now

Other

Panorama’s Richard Bilton travels coast to coast across the north of England to see the reality of Britain’s battered bus network. From rising fares, congestion and abandoned services to hi-tech, green buses and overcrowding, Panorama finds out what people want to see changed.  In February 2020 we crossed part of the country by bus – coast to coast from Redcar to Blackpool. I supported self-shooting director Nick Blakemore, shooting mostly GVs – buses, bus stops, moody skies, dogs on walls and torrential rain in Blackpool – along with second camera on interviews. Glad to be part of this project with…Keep reading >>

Rolleiflex #001

Photography

First photos from my Rolleiflex (at long last…) I bought a Rolleiflex 2.8 F to start my year (2019 ya). For a long time it sat there sniggering at me. It wasn’t really, duh – I just didn’t have the balls to take it for a spin. I went to Scotland with my dear George (pictured) and brought it – – but it stayed in the hotel room blindfolded with bubble wrap – – it was too precious; too tricky; too scary; too everything everything to sling it over my shoulder and let it breathe the cutting Scottish February air…Keep reading >>

Photographing Georgina Davy

Photography

These pictures are of my friend and artist Georgina Davy. She makes beautiful, often strange, but always wonderful costumes and puppets. I don’t think she realises just how excellent she is. The making of the costumes must be painstaking. The beasts she makes require not only imagination but also nimble-fingered wizardry and a monk-like patience I could only dream of having.  In 2016, I had designs of starting a photo project about artists working in and around Sheffield when I lived there and Georgina let me take the first batch of photos of her. I remember it was a hot…Keep reading >>

Shooting Crisis in Care. Pt.2 The weight of pictures

Documentary On TV

Note: This blog is about the first episode of Crisis in Care. It’s on BBC iPlayer now and will be available for 11 months. Intimate Access The word ‘access’ is an important one in the documentary lexicon. The difference between a pie-in-the sky idea for a film about, let’s say Facebook’s hate speech monitoring team and a pitch that will get commissioners excited is ‘access’. Organisation X allowing filmmakers Y in to film them. One of the special aspects of Crisis in Care was the ‘access’ granted by Somerset County Council – because council’s don’t tend to open their doors…Keep reading >>

Shooting Crisis in Care. Pt.1 A big opportunity

Documentary On TV

Background I was the shooting assistant producer on two-part documentary Crisis in Care which goes out this evening. It’s by far the biggest thing I’ve ever filmed. I’m not an industry old-hat, I’m new to broadcast docs but was fortunate to be given a chance by an incredibly generous and supportive company. Just a few years ago I was struggling to make any headway in the industry despite years of slogging and shooting. I decided to do a masters course in documentary as one last try before I accepted I couldn’t make it in my dream job and did something…Keep reading >>

The Trial of Ratko Mladic on iPlayer Now

Documentary On TV

Whatever I go on to do, I will always be grateful for the opportunity that Robert Miller and Henry Singer gave me on their mammoth project “The Trial of Ratko Mladic”. They took a punt on someone straight out of film school with no relevant broadcast credits and gave me a job. But they also went a step further – they asked my opinion on the film as it was being cut. And a step further than that – they listened to my opinion. And another step – they actually valued it. They didn’t have to do any of that…Keep reading >>